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The 10 Best Book Reviews of 2022

Merve emre on gerald murnane, casey cep on harry crews, maggie doherty on cormac mccarthy, and more.

Way back in the mid-aughts when I first started writing about books, pitching a print publication was the only reliable way for book critics to get paid, and third-person point of view was all the vogue. Much has changed in the years since: Newspaper and magazine book sections have shuttered, many digital outlets offer compensation when they can, and first-person criticism has become much more pervasive.

I don’t celebrate all these changes, but I’m certain of one thing in particular: I love book reviews and critical essays written in the first-person. Done well, they are generous invitations into the lives of critics—and into their memory palaces. With that in mind, most of my picks for the best book reviews of 2022 were written in the first person this year.

Brought to you by Book Marks , Lit Hub’s “Rotten Tomatoes for books.”

Adam Dalva on Stefan Zweig’s Chess Story , translated by Joel Rotenberg ( Los Angeles Review of Books )

Dalva’s review of Chess Story is a great example of the power of a first-person point of view—he doesn’t just examine the book, he narrates his own journey to understand it.

“In my own quest to understand Chess Story, I gradually realized that I would have to learn the game it centers on. And that has led me into a second obsession, much more problematic: I have fallen passionately in love with online bullet chess.”

Merve Emre on Gerald Murnane’s Last Letter to a Reader ( The New Yorker )

Merve Emre’s analysis of Gerald Murnane’s final book is a beautiful piece of writing. I love how she opens on a note of suspense, pulling you into a story you can’t stop reading.

“On most evenings this past spring, the man who lives across the street sat at his small desk, turned on the lamp, and began to write as the light faded. The white curtains in his room were seldom drawn. From where I sat, I had a clear view of him, and he, were he to look up from his writing, would have had a clear view of a house across the street, where a woman with dark hair and a faintly olive complexion was seated by a window, watching him write. At the moment he glanced up from his page, the woman supposed him to be contemplating the look, or perhaps the sound, of the sentence he had just written. The sentence was this: ‘Since then I have tried to avoid those rooms that grow steadily more crowded with works to explain away Time.’”

Minyoung Lee on Joseph Han’s Nuclear Family ( Chicago Review of Books )

Lee brings her own experience to bear in this insightful review of a novel about Korean Americans in the diaspora. (Disclosure: I founded the Chicago Review of Books in 2016, but stepped back from an editorial role in 2019.)

“In diaspora communities, it’s not uncommon to find cultural practices from the homeland, even after they’ve become unpopular or forgotten there. This is colloquially referred to as ‘the immigrant time capsule effect.’ It can be experienced in many of the ethnic enclaves in the U.S. My first impression of Los Angeles’ Koreatown when I visited in the 2010s, for example, was that it felt very much like Seoul in the 1980s. Grocery stores were even selling canned grape drinks that were popular when I was a child but that I haven’t seen since.”

Chelsea Leu on Thuận’s Chinatown , translated by Nguyen An Lý ( Astra )

Astra magazine’s “ bangers only ” editorial policy led to some spectacular reviews, like this Chelsea Leu number that opens with a fascinating linguistics lesson.

“It was in high school Latin that I learned that language could have moods, and that one of those moods was the subjunctive. We use the indicative mood for statements of fact, but the subjunctive (which barely exists in English anymore) expresses possibilities, wishes, hopes and fears: ‘I wouldn’t trust those Greeks bearing gifts if I were you.’ More recently, I’ve learned there exists a whole class of moods called irrealis moods, of which the subjunctive is merely one flavor. André Aciman’s recent essay collection, Homo Irrealis, is entirely dedicated to these moods, celebrating the fact that they express sentiments that fly in the face of settled reality.”

Casey Cep on Harry Crews’ A Childhood: The Biography of a Place ( The New Yorker )

Cep is a magician when it comes to capturing a sense of place, as evidenced by her book about Harper Lee, Furious Hours , and this review of a book about another Southern writer, Harry Crews.

“Dehairing a shoat is the sort of thing Crews knew all about, along with cooking possum, cleaning a rooster’s craw, making moonshine, trapping birds, tanning hides, and getting rid of screwworms. Although he lived until 2012, Crews and his books—sixteen novels, two essay collections, and a memoir—recall a bygone era. The best of what he wrote evokes W.P.A. guides or Foxfire books, full of gripping folklore and hardscrabble lives, stories from the back of beyond about a time when the world seemed black and white in all possible senses.”

Victoria Chang and Dean Rader on Roger Reeves’ Best Barbarian ( Los Angeles Review of Books )

Last year I professed my love for “reviews in dialogue” between two critics, and Chang and Rader continue to be masters of the form in this conversation about Roger Reeves’ second poetry collection.

“Victoria: Do you have thoughts on the flow of the poems or allusions? I have a feeling you will talk about the biblical references. But I’m most curious to hear what you have to say about the purpose of the allusions and references. Is the speaker agreeing with them, subverting them, both? Is the speaker using them as a way to press against or think against, or toward? I know you will say something smart and insightful.”

“Dean: That is a lot of pressure. I’ll try not to let you down.”

Maggie Doherty on Cormac McCarthy’s The Passenger and Stella Maris ( The New Republic )

I didn’t think anyone could persuade me to read another Cormac McCarthy novel after The Road, but Maggie Doherty makes every book sound fascinating by making it part of a bigger, true story.

“Such is the paradox of The Passenger , a novel at once highly attuned to the pleasures of collective life and resistant to the very idea of it. Unlike the violent, stylized books for which McCarthy is best known, this new novel is loose, warm, colloquial. It explores the sustaining, if impermanent, bonds formed among male friends. It’s full of theories and anecdotes, memories and stories, all voiced by some of the liveliest characters McCarthy has ever crafted. The Passenger is McCarthy’s first novel in over 15 years; its coda, S tella Maris , is published in December. Together, the books represent a new, perhaps final direction for McCarthy. The Passenger in particular is McCarthy’s most peopled novel, his most polyphonic—and it’s wonderfully entertaining, in a way that few of his previous books have been. It is also his loneliest novel yet.”

Allison Bulger on Vladimir Sorokin’s Telluria , translated by Max Lawton ( Words Without Borders )

I’m always interested in how critics find new ways to start a review, and Bulger’s opening lines here are a particularly sharp hook.

“Of all the jobs esteemed translator Larissa Volokhonsky has rejected, only one text was physically removed from her apartment on the Villa Poirier in Paris.

‘Take it back,’ she said. ‘Rid me of its presence.’

“The cursed title was Blue Lard (1999) by Vladimir Sorokin, known to some as Russia’s De Sade, and Volokhonsky’s revulsion was par for the course. It would be twenty years before another translator, Max Lawton, would provide eight Sorokin works unseen in the West, including Blue Lard , in which a clone of Khrushchev sodomizes a clone of Stalin.”

Summer Farah on Solmaz Sharif’s Customs ( Cleveland Review of Books )

Farah’s nuanced review of Solmaz Sharif’s new poetry collection further illustrates the potency of a first-person voice.

“Our poets write of our martyrs and resist alongside them; sometimes, I wonder, what life will be like after we are free, and what a truly free Palestine looks like. Last spring, the hashtag “#غرد_كأنها_حرة” circulated on Twitter, a collection of Palestinians imagining life as if our land was free; people imagined themselves moving from Akka to Ramallah with ease, returning to their homes their grandparents left in 1948, and traveling across the Levant without the obstacle of borders. This stanza acknowledges there is more work to be done than just ridding ourselves of the obvious systems that oppress us; decolonization and anti-imperial work are more holistic than we know. Sharif’s work is about attunement to the ways imperialism is ingrained into our lives, our speech, our poetry; this moment is direct in that acknowledgement.”

Nicole LeFebvre on Dorthe Nors’ A Line in the World ( On the Seawall )

LeFebvre opens this review like she’s writing a memoir or a personal essay—an unexpected joy that would be very hard to do in third-person.

“Each morning when I wake up, I hear the gentle crash and lull of waves on a beach. ‘Gather, scatter,’ as Dorthe Nors describes the sound. My eyes open and blink, adjusting to the dark. The sun’s not up yet. I scoot back into my partner’s body, kept asleep by the rhythmic thrum of the white noise machine, which covers the cars idling in the 7-Eleven parking lot, the motorcyclists showing off their scary-high speeds. For a few minutes, I accept the illusion of a calmer, quiet life. ‘Gather, scatter.’ A life by the sea.”

Adam Morgan

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Booklover Book Reviews: Find the best books to read today

Welcome booklovers.

I’m Jo, an Aussie book reviewer. I started this Booklover Book Reviews site in 2009 and quickly realised I enjoy blogging and reviewing books almost as much as actually reading them. I hope you enjoy browsing all the reviews of books, book lists and author interviews I have amassed over that time and find the perfect book for you. Then, sit back in your favourite reading chair and join me on this bookworm’s quest to find the best books to read!

Browse the several hundred book reviews on this site by genre:

Book format & special features:, want only the best books to read browse book reviews by rating:, book list spotlight, latest book reviews & author interviews, mhairi mcfarlane’s last night, review: depth-filled rom-com.

Mhairi McFarlane’s Last Night is a modern friendship romcom with uncommon emotional depth and refreshingly unexpected humour. Read my full review.

When I First Held You by Anstey Harris, Review: Deeply moving

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Ninth House sequel, Hell Bent by Leigh Bardugo: Book Review

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Falling by TJ Newman is more than deserving of all the praise it has received; an almost flawlessly executed thriller that plumbs gripping depths. Read my full review.

Reviewing books since 2009…

The 11 Best Book Review Sites and Book Rating Sites

Knowing where to buy books can be challenging. So, here are the best book review sites to help you avoid buying books that you'll regret reading.

Nobody likes to spend money on a new book only to face that overwhelming feeling of disappointment when it doesn't live up to your expectations.

The solution is to check out a few book review sites before you hit the shops. The greater the diversity of opinions you can gather, the more confidence you can have that you'll enjoy the title.

Which book review and book rating sites are worth considering? Here are the best ones.

1. Goodreads

Goodreads is arguably the leading online community for book lovers. If you want some inspiration for which novel or biography to read next, this is the book review site to visit.

There's an endless number of user-generated reading lists to explore, and Goodreads itself publishes dozens of "best of" lists across a number of categories. You can do a book search by plot or subject , or join book discussions and reading groups with thousands of members.

You can participate in the community by adding your own rankings to books you've read and leaving reviews for other people to check out. Occasionally, there are even bonus events like question and answer sessions with authors.

2. LibraryThing

LibraryThing is the self-proclaimed largest book club in the world. It has more than 2.3 million members and is a part-cataloging site/part-social networking site.

With a free account, you can add up to 200 books to your library and share them with other users. But it's in the other areas where LibraryThing can claim to be one of the best book review sites.

Naturally, there are ratings, user reviews, and tags. But be sure to click on the Zeitgeist tab at the top of the page. It contains masses of information, including the top books by rating, by the number of reviews, by authors, and loads more.

3. Book Riot

Book Riot is a blog. It publishes listicles on dozens of different topics, many of which review the best books in a certain genre. To give you an idea, some recent articles include Keeping Hoping Alive: 11 Thrilling YA Survival Stories and The Best Historical Fiction Books You’ve Never Heard Of .

Of course, there's also plenty of non-reading list content. If you have a general affinity for literature, Book Riot is definitely worth adding to the list of websites you browse every day.

Bookish is a site that all members of book clubs should know about. It helps you prep for your next meeting with discussion guides, book quizzes, and book games. There are even food and drink suggestions, as well as playlist recommendations.

But the site is more than just book club meetings. It also offers lots of editorial content. That comes in the form of author interviews, opinion essays, book reviews and recommendations, reading challenges, and giveaways.

Be sure to look at the Must-Reads section of the site regularly to get the latest book reviews. Also, it goes without saying that the people behind Bookish are book lovers, too. To get a glimpse of what they’re reading, check out their Staff Reads articles.

5. Booklist

Booklist is a print magazine that also offers an online portal. Trusted experts from the American Library Association write all the book reviews.

You can see snippets of reviews for different books. However, to read them in full, you will need to subscribe. An annual plan for this book review site costs $174.95 per year.

6. Fantasy Book Review

Fantasy Book Review should be high on the list for anyone who is a fan of fantasy works. The book review site publishes reviews for both children's books and adults' books.

It has a section on the top fantasy books of all time and a continually updated list of must-read books for each year. You can also search through the recommended books by sub-genres such as Sword and Sorcery, Parallel Worlds, and Epic Fantasy.

7. LoveReading

LoveReading is one of the most popular book review sites in the UK, but American audiences will find it to be equally useful.

The site is divided into fiction and non-fiction works. In each area, it publishes weekly staff picks, books of the month, debuts of the month, ebooks of the month, audiobooks of the month, and the nationwide bestsellers. Each book on every list has a full review that you can read for free.

Make sure you also check out their Highlights tab to get book reviews for selected titles of the month. In Collections , you'll also find themed reading lists such as World War One Literature and Green Reads .

Kirkus has been involved in producing book reviews since the 1930s. This book review site looks at the week's bestselling books, and provides lengthy critiques for each one.

As you'd expect, you'll also find dozens of "best of" lists and individual book reviews across many categories and genres.

And while you're on the site, make sure you click on the Kirkus Prize section. You can look at all the past winners and finalists, complete with the accompanying reviews of their books.

Although Reddit is a social media site, you can use it to get book reviews of famous books, or almost any other book for that matter! Reddit has a subreddit, r/books, that is dedicated to book reviews and reading lists.

The subreddit has weekly scheduled threads about a particular topic or genre. Anyone can then chip in with their opinions about which books are recommendable. Several new threads are published every day, with people discussing their latest discovery with an accompanying book rating or review.

You'll also discover a weekly recommendation thread. Recent threads have included subjects such as Favorite Books About Climate Science , Literature of Indigenous Peoples , and Books Set in the Desert . There’s also a weekly What are you Reading? discussion and frequent AMAs.

For more social media-like platforms, check out these must-have apps for book lovers .

10. YouTube

YouTube is not the type of place that immediately springs to mind when you think of the best book review sites online.

Nonetheless, there are several engaging YouTube channels that frequently offer opinions on books they've read. You’ll easily find book reviews of famous books here.

Some of the most notable book review YouTube channels include Better Than Food: Book Reviews , Little Book Owl , PolandBananasBooks , and Rincey Reads .

Amazon is probably one of your go-to site when you want to buy something. If you don’t mind used copies, it’s also one of the best websites to buy second-hand books .

Now, to get book reviews, just search and click on a title, then scroll down to see the ratings and what others who have bought the book are saying. It’s a quick way to have an overview of the book’s rating. If you spot the words Look Inside above the book cover, it means you get to preview the first few pages of the book, too!

Regardless of the praises or criticisms you have heard from other book review sites, reading a sample is the most direct way to help you gauge the content’s potential and see whether the author’s writing style suits your tastes.

Read Book Reviews Before You Buy

The book review sites we've discussed will appeal to different types of readers. Some people will be more comfortable with the easy-to-interpret book rating systems; others will prefer extensive reviews written by experienced professionals.

Although it’s easy to be tempted by a gorgeous book cover, it’s always best to have a quick look at the book reviews before actually buying a copy. This way, you can save your money and spend it on the books that you’ll be proud to display on your shelves for a long time.

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The 10 Best Books of 2022

The staff of The New York Times Book Review choose the year’s standout fiction and nonfiction.

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By The New York Times Books Staff

Published Nov. 29, 2022 Updated Nov. 30, 2022

The Candy House, by Jennifer Egan

You don’t need to have read Egan’s Pulitzer-winning “ A Visit From the Goon Squad ” to jump feet first into this much-anticipated sequel. But for lovers of the 2010 book’s prematurely nostalgic New Yorkers, cerebral beauty and laser-sharp take on modernity, “The Candy House” is like coming home — albeit to dystopia. This time around, Egan’s characters are variously the creators and prisoners of a universe in which, through the wonders of technology, people can access their entire memory banks and use the contents as social media currency. The result is a glorious, hideous fun house that feels more familiar than sci-fi, all rendered with Egan’s signature inventive confidence and — perhaps most impressive of all — heart. “The Candy House” is of its moment, with all that implies.

Read the review | Buy from local booksellers | Buy from Amazon | Buy from Apple Books | Buy from Barnes & Noble

Checkout 19, by Claire-Louise Bennett

Bennett, a British writer who makes her home in Ireland, first leaped onto the scene with her 2015 debut novel, “ Pond .” Her second book contains all of the first’s linguistic artistry and dark wit, but it is even more exhilarating. “Checkout 19,” ostensibly the story of a young woman falling in love with language in a working-class town outside London, has an unusual setting: the human mind — a brilliant, surprising, weird and very funny one. All the words one might use to describe this book — experimental, autofictional, surrealist — fail to convey the sheer pleasure of “Checkout 19.” You’ll come away dazed, delighted, reminded of just how much fun reading can be, eager to share it with people in your lives. It’s a love letter to books, and an argument for them, too.

Demon Copperhead, by Barbara Kingsolver

Kingsolver’s powerful new novel, a close retelling of Charles Dickens’s “David Copperfield” set in contemporary Appalachia, gallops through issues including childhood poverty, opioid addiction and rural dispossession even as its larger focus remains squarely on the question of how an artist’s consciousness is formed. Like Dickens, Kingsolver is unblushingly political and works on a sprawling scale, animating her pages with an abundance of charm and the presence of seemingly every creeping thing that has ever crept upon the earth.

The Furrows, by Namwali Serpell

After losing her brother when she was 12, one of the narrators of Serpell ’s second novel keeps coming across men who resemble him as she works through her trauma long into adulthood. She enters an intimate relationship with one of them, who’s also haunted by his past. This richly layered book explores the nature of grief, how it can stretch or compress time, reshape memories and make us dream up alternate realities. “I don’t want to tell you what happened,” the narrator says. “I want to tell you how it felt.”

Trust, by Hernan Diaz

Diaz uncovers the secrets of an American fortune in the early 20th century, detailing the dizzying rise of a New York financier and the enigmatic talents of his wife. Each of the novel’s four parts, which are told from different perspectives, redirects the narrative (and upends readers’ expectations) while paying tribute to literary titans from Henry James to Jorge Luis Borges. Whose version of events can we trust? Diaz’s spotlight on stories behind stories seeks out the dark workings behind capitalism, as well as the uncredited figures behind the so-called Great Men of history. It’s an exhilarating pursuit.

An Immense World: How Animal Senses Reveal the Hidden Realms Around Us, by Ed Yong

Yong certainly gave himself a formidable task with this book — getting humans to step outside their “sensory bubble” and consider how nonhuman animals experience the world. But the enormous difficulty of making sense of senses we do not have is a reminder that each one of us has a purchase on only a sliver of reality. Yong is a terrific storyteller, and there are plenty of surprising animal facts to keep this book moving toward its profound conclusion: The breadth of this immense world should make us recognize how small we really are.

Stay True: A Memoir, by Hua Hsu

In this quietly wrenching memoir, Hsu recalls starting out at Berkeley in the mid-1990s as a watchful music snob, fastidiously curating his tastes and mercilessly judging the tastes of others. Then he met Ken, a Japanese American frat boy. Their friendship was intense, but brief. Less than three years later, Ken would be killed in a carjacking. Hsu traces the course of their relationship — one that seemed improbable at first but eventually became a fixture in his life, a trellis along which both young men could stretch and grow.

Strangers to Ourselves: Unsettled Minds and the Stories That Make Us, by Rachel Aviv

In this rich and nuanced book, Aviv writes about people in extreme mental distress, beginning with her own experience of being told she had anorexia when she was 6 years old. That personal history made her especially attuned to how stories can clarify as well as distort what a person is going through. This isn’t an anti-psychiatry book — Aviv is too aware of the specifics of any situation to succumb to anything so sweeping. What she does is hold space for empathy and uncertainty, exploring a multiplicity of stories instead of jumping at the impulse to explain them away.

Under the Skin: The Hidden Toll of Racism on American Lives and on the Health of Our Nation, by Linda Villarosa

Through case histories as well as independent reporting, Villarosa’s remarkable third book elegantly traces the effects of the legacy of slavery — and the doctrine of anti-Blackness that sprang up to philosophically justify it — on Black health: reproductive, environmental, mental and more. Beginning with a long personal history of her awakening to these structural inequalities, the journalist repositions various narratives about race and medicine — the soaring Black maternal mortality rates; the rise of heart disease and hypertension; the oft-repeated dictum that Black people reject psychological therapy — as evidence not of Black inferiority, but of racism in the health care system.

We Don’t Know Ourselves, by Fintan O’Toole

O’Toole, a prolific essayist and critic, calls this inventive narrative “a personal history of modern Ireland” — an ambitious project, but one he pulls off with élan. Charting six decades of Irish history against his own life, O’Toole manages to both deftly illustrate a country in drastic flux, and include a sly, self-deprecating biography that infuses his sociology with humor and pathos. You’ll be educated, yes — about increasing secularism, the Celtic tiger, human rights — but you’ll also be wildly, uproariously entertained by a gifted raconteur at the height of his powers.

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17 Book Review Examples to Help You Write the Perfect Review

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Blog – Posted on Friday, Mar 29

17 book review examples to help you write the perfect review.

It’s an exciting time to be a book reviewer. Once confined to print newspapers and journals, reviews now dot many corridors of the Internet — forever helping others discover their next great read. That said, every book reviewer will face a familiar panic: how can you do justice to a great book in just a thousand words?

As you know, the best way to learn how to do something is by immersing yourself in it. Luckily, the Internet (i.e. Goodreads and other review sites , in particular) has made book reviews more accessible than ever — which means that there are a lot of book reviews examples out there for you to view!

In this post, we compiled 17 prototypical book review examples in multiple genres to help you figure out how to write the perfect review . If you want to jump straight to the examples, you can skip the next section. Otherwise, let’s first check out what makes up a good review.

Are you interested in becoming a book reviewer? We recommend you check out Reedsy Discovery , where you can earn money for writing reviews — and are guaranteed people will read your reviews! To register as a book reviewer, sign up here.

Pro-tip : But wait! How are you sure if you should become a book reviewer in the first place? If you're on the fence, or curious about your match with a book reviewing career, take our quick quiz:

Should you become a book reviewer?

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What must a book review contain?

Like all works of art, no two book reviews will be identical. But fear not: there are a few guidelines for any aspiring book reviewer to follow. Most book reviews, for instance, are less than 1,500 words long, with the sweet spot hitting somewhere around the 1,000-word mark. (However, this may vary depending on the platform on which you’re writing, as we’ll see later.)

In addition, all reviews share some universal elements, as shown in our book review templates . These include:

If these are the basic ingredients that make up a book review, it’s the tone and style with which the book reviewer writes that brings the extra panache. This will differ from platform to platform, of course. A book review on Goodreads, for instance, will be much more informal and personal than a book review on Kirkus Reviews, as it is catering to a different audience. However, at the end of the day, the goal of all book reviews is to give the audience the tools to determine whether or not they’d like to read the book themselves.

Keeping that in mind, let’s proceed to some book review examples to put all of this in action.

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Book review examples for fiction books

Since story is king in the world of fiction, it probably won’t come as any surprise to learn that a book review for a novel will concentrate on how well the story was told .

That said, book reviews in all genres follow the same basic formula that we discussed earlier. In these examples, you’ll be able to see how book reviewers on different platforms expertly intertwine the plot summary and their personal opinions of the book to produce a clear, informative, and concise review.

Note: Some of the book review examples run very long. If a book review is truncated in this post, we’ve indicated by including a […] at the end, but you can always read the entire review if you click on the link provided.

Examples of literary fiction book reviews

Kirkus Reviews reviews Ralph Ellison’s The Invisible Man :

An extremely powerful story of a young Southern Negro, from his late high school days through three years of college to his life in Harlem.

His early training prepared him for a life of humility before white men, but through injustices- large and small, he came to realize that he was an "invisible man". People saw in him only a reflection of their preconceived ideas of what he was, denied his individuality, and ultimately did not see him at all. This theme, which has implications far beyond the obvious racial parallel, is skillfully handled. The incidents of the story are wholly absorbing. The boy's dismissal from college because of an innocent mistake, his shocked reaction to the anonymity of the North and to Harlem, his nightmare experiences on a one-day job in a paint factory and in the hospital, his lightning success as the Harlem leader of a communistic organization known as the Brotherhood, his involvement in black versus white and black versus black clashes and his disillusion and understanding of his invisibility- all climax naturally in scenes of violence and riot, followed by a retreat which is both literal and figurative. Parts of this experience may have been told before, but never with such freshness, intensity and power.

This is Ellison's first novel, but he has complete control of his story and his style. Watch it.

Lyndsey reviews George Orwell’s 1984 on Goodreads:

YOU. ARE. THE. DEAD. Oh my God. I got the chills so many times toward the end of this book. It completely blew my mind. It managed to surpass my high expectations AND be nothing at all like I expected. Or in Newspeak "Double Plus Good." Let me preface this with an apology. If I sound stunningly inarticulate at times in this review, I can't help it. My mind is completely fried.

This book is like the dystopian Lord of the Rings, with its richly developed culture and economics, not to mention a fully developed language called Newspeak, or rather more of the anti-language, whose purpose is to limit speech and understanding instead of to enhance and expand it. The world-building is so fully fleshed out and spine-tinglingly terrifying that it's almost as if George travelled to such a place, escaped from it, and then just wrote it all down.

I read Fahrenheit 451 over ten years ago in my early teens. At the time, I remember really wanting to read 1984, although I never managed to get my hands on it. I'm almost glad I didn't. Though I would not have admitted it at the time, it would have gone over my head. Or at the very least, I wouldn't have been able to appreciate it fully. […]

The New York Times reviews Lisa Halliday’s Asymmetry :

Three-quarters of the way through Lisa Halliday’s debut novel, “Asymmetry,” a British foreign correspondent named Alistair is spending Christmas on a compound outside of Baghdad. His fellow revelers include cameramen, defense contractors, United Nations employees and aid workers. Someone’s mother has FedExed a HoneyBaked ham from Maine; people are smoking by the swimming pool. It is 2003, just days after Saddam Hussein’s capture, and though the mood is optimistic, Alistair is worrying aloud about the ethics of his chosen profession, wondering if reporting on violence doesn’t indirectly abet violence and questioning why he’d rather be in a combat zone than reading a picture book to his son. But every time he returns to London, he begins to “spin out.” He can’t go home. “You observe what people do with their freedom — what they don’t do — and it’s impossible not to judge them for it,” he says.

The line, embedded unceremoniously in the middle of a page-long paragraph, doubles, like so many others in “Asymmetry,” as literary criticism. Halliday’s novel is so strange and startlingly smart that its mere existence seems like commentary on the state of fiction. One finishes “Asymmetry” for the first or second (or like this reader, third) time and is left wondering what other writers are not doing with their freedom — and, like Alistair, judging them for it.

Despite its title, “Asymmetry” comprises two seemingly unrelated sections of equal length, appended by a slim and quietly shocking coda. Halliday’s prose is clean and lean, almost reportorial in the style of W. G. Sebald, and like the murmurings of a shy person at a cocktail party, often comic only in single clauses. It’s a first novel that reads like the work of an author who has published many books over many years. […]

Emily W. Thompson reviews Michael Doane's The Crossing on Reedsy Discovery :

In Doane’s debut novel, a young man embarks on a journey of self-discovery with surprising results.

An unnamed protagonist (The Narrator) is dealing with heartbreak. His love, determined to see the world, sets out for Portland, Oregon. But he’s a small-town boy who hasn’t traveled much. So, the Narrator mourns her loss and hides from life, throwing himself into rehabbing an old motorcycle. Until one day, he takes a leap; he packs his bike and a few belongings and heads out to find the Girl.

Following in the footsteps of Jack Kerouac and William Least Heat-Moon, Doane offers a coming of age story about a man finding himself on the backroads of America. Doane’s a gifted writer with fluid prose and insightful observations, using The Narrator’s personal interactions to illuminate the diversity of the United States.

The Narrator initially sticks to the highways, trying to make it to the West Coast as quickly as possible. But a hitchhiker named Duke convinces him to get off the beaten path and enjoy the ride. “There’s not a place that’s like any other,” [39] Dukes contends, and The Narrator realizes he’s right. Suddenly, the trip is about the journey, not just the destination. The Narrator ditches his truck and traverses the deserts and mountains on his bike. He destroys his phone, cutting off ties with his past and living only in the moment.

As he crosses the country, The Narrator connects with several unique personalities whose experiences and views deeply impact his own. Duke, the complicated cowboy and drifter, who opens The Narrator’s eyes to a larger world. Zooey, the waitress in Colorado who opens his heart and reminds him that love can be found in this big world. And Rosie, The Narrator’s sweet landlady in Portland, who helps piece him back together both physically and emotionally.

This supporting cast of characters is excellent. Duke, in particular, is wonderfully nuanced and complicated. He’s a throwback to another time, a man without a cell phone who reads Sartre and sleeps under the stars. Yet he’s also a grifter with a “love ‘em and leave ‘em” attitude that harms those around him. It’s fascinating to watch The Narrator wrestle with Duke’s behavior, trying to determine which to model and which to discard.

Doane creates a relatable protagonist in The Narrator, whose personal growth doesn’t erase his faults. His willingness to hit the road with few resources is admirable, and he’s prescient enough to recognize the jealousy of those who cannot or will not take the leap. His encounters with new foods, places, and people broaden his horizons. Yet his immaturity and selfishness persist. He tells Rosie she’s been a good mother to him but chooses to ignore the continuing concern from his own parents as he effectively disappears from his old life.

Despite his flaws, it’s a pleasure to accompany The Narrator on his physical and emotional journey. The unexpected ending is a fitting denouement to an epic and memorable road trip.

The Book Smugglers review Anissa Gray’s The Care and Feeding of Ravenously Hungry Girls :

I am still dipping my toes into the literally fiction pool, finding what works for me and what doesn’t. Books like The Care and Feeding of Ravenously Hungry Girls by Anissa Gray are definitely my cup of tea.

Althea and Proctor Cochran had been pillars of their economically disadvantaged community for years – with their local restaurant/small market and their charity drives. Until they are found guilty of fraud for stealing and keeping most of the money they raised and sent to jail. Now disgraced, their entire family is suffering the consequences, specially their twin teenage daughters Baby Vi and Kim. To complicate matters even more: Kim was actually the one to call the police on her parents after yet another fight with her mother. […]

Examples of children’s and YA fiction book reviews

The Book Hookup reviews Angie Thomas’ The Hate U Give :

♥ Quick Thoughts and Rating: 5 stars! I can’t imagine how challenging it would be to tackle the voice of a movement like Black Lives Matter, but I do know that Thomas did it with a finesse only a talented author like herself possibly could. With an unapologetically realistic delivery packed with emotion, The Hate U Give is a crucially important portrayal of the difficulties minorities face in our country every single day. I have no doubt that this book will be met with resistance by some (possibly many) and slapped with a “controversial” label, but if you’ve ever wondered what it was like to walk in a POC’s shoes, then I feel like this is an unflinchingly honest place to start.

In Angie Thomas’s debut novel, Starr Carter bursts on to the YA scene with both heart-wrecking and heartwarming sincerity. This author is definitely one to watch.

♥ Review: The hype around this book has been unquestionable and, admittedly, that made me both eager to get my hands on it and terrified to read it. I mean, what if I was to be the one person that didn’t love it as much as others? (That seems silly now because of how truly mesmerizing THUG was in the most heartbreakingly realistic way.) However, with the relevancy of its summary in regards to the unjust predicaments POC currently face in the US, I knew this one was a must-read, so I was ready to set my fears aside and dive in. That said, I had an altogether more personal, ulterior motive for wanting to read this book. […]

The New York Times reviews Melissa Albert’s The Hazel Wood :

Alice Crewe (a last name she’s chosen for herself) is a fairy tale legacy: the granddaughter of Althea Proserpine, author of a collection of dark-as-night fairy tales called “Tales From the Hinterland.” The book has a cult following, and though Alice has never met her grandmother, she’s learned a little about her through internet research. She hasn’t read the stories, because her mother, Ella Proserpine, forbids it.

Alice and Ella have moved from place to place in an attempt to avoid the “bad luck” that seems to follow them. Weird things have happened. As a child, Alice was kidnapped by a man who took her on a road trip to find her grandmother; he was stopped by the police before they did so. When at 17 she sees that man again, unchanged despite the years, Alice panics. Then Ella goes missing, and Alice turns to Ellery Finch, a schoolmate who’s an Althea Proserpine superfan, for help in tracking down her mother. Not only has Finch read every fairy tale in the collection, but handily, he remembers them, sharing them with Alice as they journey to the mysterious Hazel Wood, the estate of her now-dead grandmother, where they hope to find Ella.

“The Hazel Wood” starts out strange and gets stranger, in the best way possible. (The fairy stories Finch relays, which Albert includes as their own chapters, are as creepy and evocative as you’d hope.) Albert seamlessly combines contemporary realism with fantasy, blurring the edges in a way that highlights that place where stories and real life convene, where magic contains truth and the world as it appears is false, where just about anything can happen, particularly in the pages of a very good book. It’s a captivating debut. […]

James reviews Margaret Wise Brown’s Goodnight, Moon on Goodreads:

Goodnight Moon by Margaret Wise Brown is one of the books that followers of my blog voted as a must-read for our Children's Book August 2018 Readathon. Come check it out and join the next few weeks!

This picture book was such a delight. I hadn't remembered reading it when I was a child, but it might have been read to me... either way, it was like a whole new experience! It's always so difficult to convince a child to fall asleep at night. I don't have kids, but I do have a 5-month-old puppy who whines for 5 minutes every night when he goes in his cage/crate (hopefully he'll be fully housebroken soon so he can roam around when he wants). I can only imagine! I babysat a lot as a teenager and I have tons of younger cousins, nieces, and nephews, so I've been through it before, too. This was a believable experience, and it really helps show kids how to relax and just let go when it's time to sleep.

The bunny's are adorable. The rhymes are exquisite. I found it pretty fun, but possibly a little dated given many of those things aren't normal routines anymore. But the lessons to take from it are still powerful. Loved it! I want to sample some more books by this fine author and her illustrators.

Publishers Weekly reviews Elizabeth Lilly’s Geraldine :

This funny, thoroughly accomplished debut opens with two words: “I’m moving.” They’re spoken by the title character while she swoons across her family’s ottoman, and because Geraldine is a giraffe, her full-on melancholy mode is quite a spectacle. But while Geraldine may be a drama queen (even her mother says so), it won’t take readers long to warm up to her. The move takes Geraldine from Giraffe City, where everyone is like her, to a new school, where everyone else is human. Suddenly, the former extrovert becomes “That Giraffe Girl,” and all she wants to do is hide, which is pretty much impossible. “Even my voice tries to hide,” she says, in the book’s most poignant moment. “It’s gotten quiet and whispery.” Then she meets Cassie, who, though human, is also an outlier (“I’m that girl who wears glasses and likes MATH and always organizes her food”), and things begin to look up.

Lilly’s watercolor-and-ink drawings are as vividly comic and emotionally astute as her writing; just when readers think there are no more ways for Geraldine to contort her long neck, this highly promising talent comes up with something new.

Examples of genre fiction book reviews

Karlyn P reviews Nora Roberts’ Dark Witch , a paranormal romance novel , on Goodreads:

4 stars. Great world-building, weak romance, but still worth the read.

I hesitate to describe this book as a 'romance' novel simply because the book spent little time actually exploring the romance between Iona and Boyle. Sure, there IS a romance in this novel. Sprinkled throughout the book are a few scenes where Iona and Boyle meet, chat, wink at each, flirt some more, sleep together, have a misunderstanding, make up, and then profess their undying love. Very formulaic stuff, and all woven around the more important parts of this book.

The meat of this book is far more focused on the story of the Dark witch and her magically-gifted descendants living in Ireland. Despite being weak on the romance, I really enjoyed it. I think the book is probably better for it, because the romance itself was pretty lackluster stuff.

I absolutely plan to stick with this series as I enjoyed the world building, loved the Ireland setting, and was intrigued by all of the secondary characters. However, If you read Nora Roberts strictly for the romance scenes, this one might disappoint. But if you enjoy a solid background story with some dark magic and prophesies, you might enjoy it as much as I did.

I listened to this one on audio, and felt the narration was excellent.

Emily May reviews R.F. Kuang’s The Poppy Wars , an epic fantasy novel , on Goodreads:

“But I warn you, little warrior. The price of power is pain.”

Holy hell, what did I just read??

➽ A fantasy military school

➽ A rich world based on modern Chinese history

➽ Shamans and gods

➽ Detailed characterization leading to unforgettable characters

➽ Adorable, opium-smoking mentors

That's a basic list, but this book is all of that and SO MUCH MORE. I know 100% that The Poppy War will be one of my best reads of 2018.

Isn't it just so great when you find one of those books that completely drags you in, makes you fall in love with the characters, and demands that you sit on the edge of your seat for every horrific, nail-biting moment of it? This is one of those books for me. And I must issue a serious content warning: this book explores some very dark themes. Proceed with caution (or not at all) if you are particularly sensitive to scenes of war, drug use and addiction, genocide, racism, sexism, ableism, self-harm, torture, and rape (off-page but extremely horrific).

Because, despite the fairly innocuous first 200 pages, the title speaks the truth: this is a book about war. All of its horrors and atrocities. It is not sugar-coated, and it is often graphic. The "poppy" aspect refers to opium, which is a big part of this book. It is a fantasy, but the book draws inspiration from the Second Sino-Japanese War and the Rape of Nanking.

Crime Fiction Lover reviews Jessica Barry’s Freefall , a crime novel:

In some crime novels, the wrongdoing hits you between the eyes from page one. With others it’s a more subtle process, and that’s OK too. So where does Freefall fit into the sliding scale?

In truth, it’s not clear. This is a novel with a thrilling concept at its core. A woman survives plane crash, then runs for her life. However, it is the subtleties at play that will draw you in like a spider beckoning to an unwitting fly.

Like the heroine in Sharon Bolton’s Dead Woman Walking, Allison is lucky to be alive. She was the only passenger in a private plane, belonging to her fiancé, Ben, who was piloting the expensive aircraft, when it came down in woodlands in the Colorado Rockies. Ally is also the only survivor, but rather than sitting back and waiting for rescue, she is soon pulling together items that may help her survive a little longer – first aid kit, energy bars, warm clothes, trainers – before fleeing the scene. If you’re hearing the faint sound of alarm bells ringing, get used to it. There’s much, much more to learn about Ally before this tale is over.

Kirkus Reviews reviews Ernest Cline’s Ready Player One , a science-fiction novel :

Video-game players embrace the quest of a lifetime in a virtual world; screenwriter Cline’s first novel is old wine in new bottles.

The real world, in 2045, is the usual dystopian horror story. So who can blame Wade, our narrator, if he spends most of his time in a virtual world? The 18-year-old, orphaned at 11, has no friends in his vertical trailer park in Oklahoma City, while the OASIS has captivating bells and whistles, and it’s free. Its creator, the legendary billionaire James Halliday, left a curious will. He had devised an elaborate online game, a hunt for a hidden Easter egg. The finder would inherit his estate. Old-fashioned riddles lead to three keys and three gates. Wade, or rather his avatar Parzival, is the first gunter (egg-hunter) to win the Copper Key, first of three.

Halliday was obsessed with the pop culture of the 1980s, primarily the arcade games, so the novel is as much retro as futurist. Parzival’s great strength is that he has absorbed all Halliday’s obsessions; he knows by heart three essential movies, crossing the line from geek to freak. His most formidable competitors are the Sixers, contract gunters working for the evil conglomerate IOI, whose goal is to acquire the OASIS. Cline’s narrative is straightforward but loaded with exposition. It takes a while to reach a scene that crackles with excitement: the meeting between Parzival (now world famous as the lead contender) and Sorrento, the head of IOI. The latter tries to recruit Parzival; when he fails, he issues and executes a death threat. Wade’s trailer is demolished, his relatives killed; luckily Wade was not at home. Too bad this is the dramatic high point. Parzival threads his way between more ’80s games and movies to gain the other keys; it’s clever but not exciting. Even a romance with another avatar and the ultimate “epic throwdown” fail to stir the blood.

Too much puzzle-solving, not enough suspense.

Book review examples for non-fiction books

Nonfiction books are generally written to inform readers about a certain topic. As such, the focus of a nonfiction book review will be on the clarity and effectiveness of this communication . In carrying this out, a book review may analyze the author’s source materials and assess the thesis in order to determine whether or not the book meets expectations.

Again, we’ve included abbreviated versions of long reviews here, so feel free to click on the link to read the entire piece!

The Washington Post reviews David Grann’s Killers of the Flower Moon :

The arc of David Grann’s career reminds one of a software whiz-kid or a latest-thing talk-show host — certainly not an investigative reporter, even if he is one of the best in the business. The newly released movie of his first book, “The Lost City of Z,” is generating all kinds of Oscar talk, and now comes the release of his second book, “Killers of the Flower Moon: The Osage Murders and the Birth of the FBI,” the film rights to which have already been sold for $5 million in what one industry journal called the “biggest and wildest book rights auction in memory.”

Grann deserves the attention. He’s canny about the stories he chases, he’s willing to go anywhere to chase them, and he’s a maestro in his ability to parcel out information at just the right clip: a hint here, a shading of meaning there, a smartly paced buildup of multiple possibilities followed by an inevitable reversal of readerly expectations or, in some cases, by a thrilling and dislocating pull of the entire narrative rug.

All of these strengths are on display in “Killers of the Flower Moon.” Around the turn of the 20th century, oil was discovered underneath Osage lands in the Oklahoma Territory, lands that were soon to become part of the state of Oklahoma. Through foresight and legal maneuvering, the Osage found a way to permanently attach that oil to themselves and shield it from the prying hands of white interlopers; this mechanism was known as “headrights,” which forbade the outright sale of oil rights and granted each full member of the tribe — and, supposedly, no one else — a share in the proceeds from any lease arrangement. For a while, the fail-safes did their job, and the Osage got rich — diamond-ring and chauffeured-car and imported-French-fashion rich — following which quite a large group of white men started to work like devils to separate the Osage from their money. And soon enough, and predictably enough, this work involved murder. Here in Jazz Age America’s most isolated of locales, dozens or even hundreds of Osage in possession of great fortunes — and of the potential for even greater fortunes in the future — were dispatched by poison, by gunshot and by dynamite. […]

Stacked Books reviews Malcolm Gladwell’s Outliers :

I’ve heard a lot of great things about Malcolm Gladwell’s writing. Friends and co-workers tell me that his subjects are interesting and his writing style is easy to follow without talking down to the reader. I wasn’t disappointed with Outliers. In it, Gladwell tackles the subject of success – how people obtain it and what contributes to extraordinary success as opposed to everyday success.

The thesis – that our success depends much more on circumstances out of our control than any effort we put forth – isn’t exactly revolutionary. Most of us know it to be true. However, I don’t think I’m lying when I say that most of us also believe that we if we just try that much harder and develop our talent that much further, it will be enough to become wildly successful, despite bad or just mediocre beginnings. Not so, says Gladwell.

Most of the evidence Gladwell gives us is anecdotal, which is my favorite kind to read. I can’t really speak to how scientifically valid it is, but it sure makes for engrossing listening. For example, did you know that successful hockey players are almost all born in January, February, or March? Kids born during these months are older than the others kids when they start playing in the youth leagues, which means they’re already better at the game (because they’re bigger). Thus, they get more play time, which means their skill increases at a faster rate, and it compounds as time goes by. Within a few years, they’re much, much better than the kids born just a few months later in the year. Basically, these kids’ birthdates are a huge factor in their success as adults – and it’s nothing they can do anything about. If anyone could make hockey interesting to a Texan who only grudgingly admits the sport even exists, it’s Gladwell. […]

Quill and Quire reviews Rick Prashaw’s Soar, Adam, Soar :

Ten years ago, I read a book called Almost Perfect. The young-adult novel by Brian Katcher won some awards and was held up as a powerful, nuanced portrayal of a young trans person. But the reality did not live up to the book’s billing. Instead, it turned out to be a one-dimensional and highly fetishized portrait of a trans person’s life, one that was nevertheless repeatedly dubbed “realistic” and “affecting” by non-transgender readers possessing only a vague, mass-market understanding of trans experiences.

In the intervening decade, trans narratives have emerged further into the literary spotlight, but those authored by trans people ourselves – and by trans men in particular – have seemed to fall under the shadow of cisgender sensationalized imaginings. Two current Canadian releases – Soar, Adam, Soar and This One Looks Like a Boy – provide a pointed object lesson into why trans-authored work about transgender experiences remains critical.

To be fair, Soar, Adam, Soar isn’t just a story about a trans man. It’s also a story about epilepsy, the medical establishment, and coming of age as seen through a grieving father’s eyes. Adam, Prashaw’s trans son, died unexpectedly at age 22. Woven through the elder Prashaw’s narrative are excerpts from Adam’s social media posts, giving us glimpses into the young man’s interior life as he traverses his late teens and early 20s. […]

Book Geeks reviews Elizabeth Gilbert’s Eat, Pray, Love :

WRITING STYLE: 3.5/5

SUBJECT: 4/5

CANDIDNESS: 4.5/5

RELEVANCE: 3.5/5

ENTERTAINMENT QUOTIENT: 3.5/5

“Eat Pray Love” is so popular that it is almost impossible to not read it. Having felt ashamed many times on my not having read this book, I quietly ordered the book (before I saw the movie) from amazon.in and sat down to read it. I don’t remember what I expected it to be – maybe more like a chick lit thing but it turned out quite different. The book is a real story and is a short journal from the time when its writer went travelling to three different countries in pursuit of three different things – Italy (Pleasure), India (Spirituality), Bali (Balance) and this is what corresponds to the book’s name – EAT (in Italy), PRAY (in India) and LOVE (in Bali, Indonesia). These are also the three Is – ITALY, INDIA, INDONESIA.

Though she had everything a middle-aged American woman can aspire for – MONEY, CAREER, FRIENDS, HUSBAND; Elizabeth was not happy in her life, she wasn’t happy in her marriage. Having suffered a terrible divorce and terrible breakup soon after, Elizabeth was shattered. She didn’t know where to go and what to do – all she knew was that she wanted to run away. So she set out on a weird adventure – she will go to three countries in a year and see if she can find out what she was looking for in life. This book is about that life changing journey that she takes for one whole year. […]

Emily May reviews Michelle Obama’s Becoming on Goodreads:

Look, I'm not a happy crier. I might cry at songs about leaving and missing someone; I might cry at books where things don't work out; I might cry at movies where someone dies. I've just never really understood why people get all choked up over happy, inspirational things. But Michelle Obama's kindness and empathy changed that. This book had me in tears for all the right reasons.

This is not really a book about politics, though political experiences obviously do come into it. It's a shame that some will dismiss this book because of a difference in political opinion, when it is really about a woman's life. About growing up poor and black on the South Side of Chicago; about getting married and struggling to maintain that marriage; about motherhood; about being thrown into an amazing and terrifying position.

I hate words like "inspirational" because they've become so overdone and cheesy, but I just have to say it-- Michelle Obama is an inspiration. I had the privilege of seeing her speak at The Forum in Inglewood, and she is one of the warmest, funniest, smartest, down-to-earth people I have ever seen in this world.

And yes, I know we present what we want the world to see, but I truly do think it's genuine. I think she is someone who really cares about people - especially kids - and wants to give them better lives and opportunities.

She's obviously intelligent, but she also doesn't gussy up her words. She talks straight, with an openness and honesty rarely seen. She's been one of the most powerful women in the world, she's been a graduate of Princeton and Harvard Law School, she's had her own successful career, and yet she has remained throughout that same girl - Michelle Robinson - from a working class family in Chicago.